Monday, January 13, 2014

ReFrame ReVisits Peterborough for the 10th Annual PIFF

January 13, 2014


In these technologically-oriented times, the arts, specifically filmmaking, rarely gets the attention it deserves. With that being said, ReFrame focuses on bringing the spotlight back on film by returning to the Electric City for the 10th annual Peterborough International Film Festival, taking place from January 24-26.
Founded in 2005 in Courtenay, B.C, ReFrame is a non-profit organization which focuses on celebrating the latest works created by local filmmakers. The festival showcases a diverse array of films, many of which are so independent, they would likely never find any form of mass distribution. Soon after ReFrame’s founding, the inspiration spread to Peterborough in 2006, when they invited local filmmakers to join the festival. From there, Peterborough’s artistic culture grew as the attendance grew to its peak in 2011. ReFrame’s mission is to celebrate film and art by raising awareness about local and international issues, as well as to engage and collaborate with the community.
The focus of the festival itself is to build engaged audiences that explore and document issues of human rights and social justice, from the local to the global; to use film and art to provide educational opportunities and encourage activism and thoughtful debate. The theme of this year’s festival appears to be the violation of human rights, with films dealing with issues of greed, corruption, feminism, and sexual orientation.
“Peterborough possesses a strong community for film that needs a vehicle. These are hugely interesting stories that otherwise do not get told,” said Festival Director Krista English in an interview with KawarthaNOW.
In 2011, 35 students, seven schools, eight staff advisors, and two filmmakers took part in the RPIFF, and as a result, produced seven short films. This year, the festival is set to take place at a number of theaters including the Market Hall, Showplace Performance Centre, and The Venue. It will feature 59 film screenings from various directors including Andrew Bartlett, Jeffery Schwarz, and Karima Zoubir.
In addition, ReFrame is launching an art exhibition entitled Still ReFrame 2014 from January 6-31, which takes its cue from the theme, “Looking Forward, Looking Back.” It focuses on the way in which humans relate to, change with, and have an impact on their surroundings. Many of us are guilty of turning the other way when it comes to international issues. The focus of the exhibition is to highlight art’s ability to raise awareness about local and international issues, and to be mindful of society’s collective responsibilities, and potential for change.
A feature of ReFrame is REELkids, a four-day celebration of film and media designed for elementary school children in grades 1-8. The festival features important award-winning films from around the world on topics including the environment, indigenous peoples, human rights, and world issues. These films are specifically chosen to screen for schools and families, and are used to create a social dialogue for younger audiences.
Other smaller events taking place throughout the month of January include REWINDING: From the Bradburn to Peterborough Square to the Galaxy, Rewind: The Electric City Goes to the Movies, and Offshore: A Digital Interactive Website Sneak Preview.
When not in the spotlight, ReFrame works with local organizations such as the Ontario Public Interest Research Group (OPIRG) Peterborough, the Peterborough AIDS Resource Network (PARN), and, more recently, the Jamaican Self-Help Group.
More information about these events can be found on ReFrame’s website, reframefilmfestival.ca
Tickets can be purchased at the door for $10 a film, and festival passes are available for $35 for adults and $20 for students and un(der)employed individuals. Passes can be bought at any of the following locations:
GreenUp Store
378 Aylmer Street North
Green Eyewear Optical
374 George Street North
Trent Central Student Association
Trent University, Champlain College
Suite S110
KWIC
The Environmental Sciences Building
Trent University, Rm B101

More information will be released following the festival’s conclusion.

TED(x) Comes to Trent Oshawa

January 13, 2014

If you’re looking to do something this weekend that is both entertaining and educational, head down to the Trent Oshawa campus (located at 55 Thornton Road South) to spend a day with TED extraordinaires.
In celebration of its 30th birthday, TED has organized a variety of TEDx events, including TEDxTrent taking place at the Oshawa campus on Saturday, January 18. The TEDx series is a program of self-organized TED events, where the x represents the aspect of independence.
TEDxTrent will feature TEDTalks videos and live speakers who will be used to spark deep discussion from Trent students, faculty, and community members. This year, the theme of the talk is “Creativity, Collaboration, and Engagement.”
The event was organized by the following members of the Trent community: B.Sc. Psych student Chris Fernlund; Administrative Coordinator at Trent University Oshawa, Amber Ashton; Head of Trent University Oshawa, Joe Muldoon; Government and Community Relations Officer at Trent University Oshawa, Kate Ingram; Trent librarian, Ken Field; Vice President of Campus Life for the Trent Oshawa Student Association (TOSA), Brittney Forester; Manager of Student Affairs at Trent University Oshawa, Justin Fisher; Business Administration student, Taylor Thompson; Student Life and Co-curricular Programs Coordinator, Chris Nelan; and finally, Manager of Convocation & University Functions at Trent University, Joanne Sokolowski.
This event will feature talks from some of the top inspirational speakers in Canada including Marc Garneau (former Canadian MP and astronaut), Marcelo da Luz (founder of The Power of One Solar Car Project), Derek Blais (employee at worldwide advertising agency network BBDO), Dr. Sara Humphreys (Assistant Professor at Trent University), Marcel O’Gorman (Associate Professor in the Department of English at the University of Waterloo), and Lon Appleby (journalist, television producer, and general education professor at Durham College), with performances by Taylor O’Meara and Unity. With this group of accomplished minds, TEDxTrent is sure to please anyone who has a passion for knowledge.
Ultimately, it will be a worthwhile trip to experience this amazing and informative event.
However, in order to attend, you need to register on their website.
More information about the event and how to register can be found on the official TEDxTrent website: http://www.tedxtrentu.com or on their twitter @TEDxTrent.

A follow-up article will be posted two weeks from now, so stay tuned for a more detailed account of the event.

The Strategic Mandate Agreement: A Misrepresentation of Trent’s True Identity?

January 7, 2014

This year’s Strategic Mandate Agreement (SMA) left a lot to be desired when it was initially released on November 15 in the form of a Green Paper on the MyTrent portal. With a limited timeline of a few weeks, Trent was put under an enormous amount of pressure when ordered to develop a clear and professional SMA that detailed its objectives and reasoning so as to convince the government to keep funding its various programs and initiatives.
However, things didn’t really go as planned and now Trent is under pressure from numerous students, faculty, alumni, and community members after the release of the revised SMA, which failed to mention many of the defining features and key aspects of Trent’s unique identity, the very things which distinguishes it from other universities in Canada.
quoteone
For those who are just as ‘politically challenged’ as I am, the SMA is the university’s response to a policy from the province designed to address three desired outcomes for Ontario universities:
1) To increase the differentiation between post-secondary institutions by highlighting strengths and identifying objectives,
2) To discuss how Ontario’s education system can continue to deliver a quality education to more students within various financial constraints, and
3) To produce the best reflections from institutions about innovations that would produce a higher quality of learning and transform Ontario’s public post-secondary system. 
With these goals, the Ministry of Training, Colleges and Universities (MTCU) launched a process to establish strategic mandate agreements with each of Ontario’s 44 colleges and universities “that will strongly inform future decisions, including allocation decisions and program approvals.”
I know this sounds like a lot to process, but, to sum it up, the SMA basically determines whether or not Trent continues to receive funding. Ultimately, it could result in the cessation of several aspects of Trent including programs, future initiatives, and research funding.
This single document could determine the future of Trent and impact the education of current and future students to come.
The extensive 21-page document outlines Trent’s main objectives as Canada’s “most-research driven, primarily undergraduate university.” In the SMA, Trent states that over the next five years, its goal is “to prepare students to make significant contributions to society by providing them with a distinct liberal arts, science or professional education.”
The document also highlights Trent’s founding commitments, and promotes Trent’s various priorities: interdisciplinary academics; research-driven teaching, small class sizes, community engagement; and finally, providing academic excellence in sustainable programs. These priorities correspond to various aspects of Trent as a whole.
A release from Provost and Vice-President Academic of Trent Gary Boire on December 11, requested feedback on ways that the SMA could be improved by emphasizing Trent’s strengths that might have been overlooked.
However, he stated certain points which undermined the whole notion of Trent’s identity and failed to note two of Trent’s key identifying features: the college system, which distinguishes Trent from other Canadian universities and are the focus of Trent’s foundation; and the school-centered model which Trent is looking to move toward.
Boire feels that the topic of Trent’s schools is “not especially germane to this specific exercise” and that the matter of the colleges is “inappropriate for our SMA submitted to MTCU.”
Putting all of the “pedagogical” jargon aside, there lie significant errors in the SMA’s formatting, politics, and judgment. In my honest opinion, it does not reflect Trent’s true identity.
It is comprised of political conformity and financial coercion. Yes, this is the case with most things in life, but the question I beg myself to ask throughout reading this document is regarding this sort of “metric system,” and why, if Trent is considered a smaller university, is this system being used?
The metrics clearly favour larger institutions that focus on offering more PhD programs, rather than smaller arts-based universities that offer more specialized programs.
First off, the “metrics” used to classify and judge universities are accused of “favouring larger, more comprehensive, medical/doctoral institutions.” Universities that are centered around one or more of the following: engineering, medicine, nursing, education, and/or law, will score higher than institutions that are smaller and more arts-based, like Trent.
Unless Trent declares itself as being more predominantly science-based, the prospect of receiving additional funding seems unlikely. Despite the “Sunshine List” wages of 229 Trent faculty members, including that $305,000.04 of our own President Steven Franklin, Trent still remains one of the most underfunded universities in Ontario, falling just behind Algoma, Nipissing, and OCAD.
Since Trent falls in between the categories of a small and large university, it is hard to gauge the sufficient amount of funding needed for Trent to continue supporting community projects. With over double the number of full-time students, Trent receives nearly the same amount of funding as other small Ontario universities, despite awarding more PhDs and contributing more to research initiatives.
Nevertheless, Trent is still being compared to much larger universities such as the University of Toronto. Trent also receives less funding than universities of similar size, such as Laurentian and Lakehead.
Comparing universities of drastically different characters, based on factors such as size, enrolment rate, and number of graduate programs, is highly biased against smaller universities like Trent. This publication is highly subjective towards PhD-distributing institutions such as U of T, Queen’s, and Waterloo, all of which make up a large portion of the funding distribution.
In response to the MTCU’s supposed bias towards larger universities in relation to “research productivity” and funding for graduate programs, Trent states, “It is with all due respect that we challenge this inexplicable decision,” echoing, perhaps, one aspect of its true identity: rebellion from the norm.
The SMA also describes partnerships with other institutions and how they have provided Ontario students with mobility and a “seamless transfer” between the two. Some of the programs listed include the Trent-Fleming School of Nursing, Trent-Fleming Transfer program, Trent-Loyalist Journalism, Trent-Queen’s Education (which is being cut in 2015), Trent-Carleton Canadian Studies PhD (which has also been cut), and Trent-Humber Public Texts/Creative Book Publishing.
If these partnerships are supposedly so seamless, why is it that I can’t even find a direct bus route from Trent to Loyalist College, located just an hour and a half away in Belleville?
quotetwo
Second, please excuse my “grammar nazi”-like disposition, but formatting inconsistencies do not reflect well on Trent as a whole, especially when it is being evaluated in terms of how academically established it is. In all honesty, the SMA appeared to be rushed and unprofessional, almost as if it was written by someone who didn’t even know Trent.
The comparison, when reading through Carleton University’s SMA, left me mystified to say the least. The incorporation of diagrams, tables, and tasteful graphics grabbed my attention and helped their objectives come across clearly.
Lastly, the SMA draws attention to the strengths and weaknesses of Trent as a whole. As stated in the SMA via the AAPP, strengths include: interdisciplinary environmental science, interdisciplinary humanities, community health, culture and society, nursing, social justice and global development, education, indigenous knowledge, sustainability studies and Canadian studies.
The areas for “future development” are specifically targeted towards the formation of new [under]graduate programs including: synergies (planned with UOIT in 2020), social work, water science, health studies, arts administration, conservation biology, instrumental analysis, and archaeology. Future development also includes the discontinuation of low enrolment courses such as Canadian studies and Concurrent Education.
The key issue surrounding this, which was discussed in the SMA, was program prioritization. In other words, determining which programs will be cut from Trent’s academic programming based on enrolment rates. In this case appears to primarily be affecting the Humanities department.
Trent’s Canadian studies and concurrent education programs will reportedly be phased out from provincial funding. Who knows how many other programs will be cut?
However, if they are basing enrolment rates on the 2012-2013 Full Credit Enrolment (FCE) Count table included in the SMA, things don’t look good for many of the Language and Cultural studies programs either, including indigenous studies (which Trent specifically draws attention to as one of its defining features in relation to the student population), cultural studies, Greek, and history.
The main concern here lies with a “decline in humanities programmes.”
As a student of both an interchangeably arts- or science-oriented program (Psychology) as well as a newly introduced, lower enrolment program (Journalism), my opinion is not swayed by preference towards the arts, science, or humanities based programs. Valuing every type of degree program is something Trent fails to do without bias or external influences.
Trent seems to be biased against the Humanities and fails to attempt to revitalize the decline in enrolment, which has been seen across the board with other universities as well (mainly due to the scientific bias of today’s society).
In the SMA, it states that, while “strong academic programs will receive increased resources to foster growth, weaker programs will, in the first instance, be offered incentives to consolidate their programs. By 2016 remaining weak programs as per the criteria established in the AAPP will be eliminated.”
In other words, there will be no real attempt to consolidate the low enrolment programs such as cultural and language studies.
Despite the MTCU’s conceptions of smaller class sizes and program enrolment, programs with lower enrolment are just as qualified as higher enrolment programs. In fact, it often means that these are specialized programs that no other university offers, which may make them even more valued in the workplace due to their specialized nature.
One thing is for certain: the student voice has definitely been silenced by the ‘Big Guys of Trent.’
The TCSA has failed to do its job in ensuring that students have their say in issues regarding Trent’s future, or in those that affect Trent’s current or future students.
However, one Trent Student has made it her mission to ensure that the student voice is heard. When questioned about the SMA, TCSA’s Anti-Racism Commissioner Zara Syed stated:
“There is no student voice here. These decisions are being made at a middle management level, but we as clients of the business we pay for are virtually unheard. We do have college heads as reps on the Senate but other than that I can’t see how our voices are factored in the decision making.”
As a result, Syed, along with a few other students, mobilized a student group called SMA Discussion, which is designed to critique and alter Trent’s SMA as well as to strengthen the student voice within Trent. She also developed a petition called “We Deserve a Conversation” to request that the administration allow a discussion regarding Trent’s proposed direction.
quotethree
The overall implications this could have on Trent’s future are immense.
Trent’s current operating budget is approximately $104,181,000, the fourth lowest operating budget overall among Ontario Universities.
With an economic impact of $390,000,000 on Peterborough to date, Trent makes up a great portion of economic revenue in the Peterborough area as well.
Without sufficient funding, Trent will no longer be able to provide services for the community, hosting local events to help stimulate local culture. Also, the lack of input from students, faculty, alumni, and community members has caused Trent to gain significant negative feedback in relation to free discussion.

The decisions regarding the SMA have ultimately ignored the opinions of the Trent community, and were instead formulated by corrupt, white-collar fat cats of Trent, without any regard given to our university’s true identity.

Vegan Eats: Village of Thai Review

November 18, 2013

On a wet and miserable Thursday night, after my enervating three-hour Psychology lecture, I was accompanied by my vegan friend to a late-night movie. I stated that I was hungry, like I always am, and that I’d like to stop somewhere to get a bite to eat.
Being a small-town girl and knowing very little about Peterborough’s vegan food scene, I asked my friend about some vegan-friendly restaurants aside from the Food Forest. He suggested that we eat at Village of Thai, a small Thai restaurant at the corner of George and Sherbrooke St. As I glanced over their menu, I was intrigued by the variety of curries and noodle dishes. Being one with a fairly diversified vegan palate, I decided to give this place a try.
When we arrived, the restaurant was dimly lit and the tablecloths had stains on them. However, I had always never to judge a book based on its cover (pardon the cliché), so I remained hopeful of a good experience. The server came over to our table after about ten minutes, seemingly a bit cold and unfriendly.
She asked what we would like to drink, and I decided to go with one of my favourite drinks, mango juice. My guest ordered their “Indian beer,” but there was nothing “Indian” about it. It was bottled in New Jersey, and costing $1.26 more than the traditional domestic beer, you expected more than just a fancy label.
After deliberating for a while on our appetizers, we ordered the samosa rolls, followed by the mixed vegetable curry for myself, and vegetable pad thai for my friend. While initially they had a slight problem understanding what the term vegan meant, it was not such a huge issue when we just stated “no meat.”
When the samosas arrived at the table, I was surprised by presentation. Village of Thai put an Asian twist on this traditional Indian dish by presenting them in the form of spring rolls. Just as I was about to take the first bite, I fearfully imagined the taste of traditional MSG-filled Chinese-style spring rolls, but, to my pleasure, they tasted pretty much just like samosas, savoury with a nice balance of traditional Indian spices. The warmth of the curry, with the nuttiness of cumin and tang of coriander, provided the perfect amount of complexity and balance. However, they were slightly oily, which made for a slightly messy dining experience. When our main course arrived, the presentation was simple yet refined.
The curry was adequate. The consistency was a little bit on the watery side, and it was milder than I had expected. Being a girl who can handle the scorching heat of ghost peppers, I expected to feel something more than a slight tingle on my tongue.
One thing I found odd was the fact that it wasn’t served alongside a bed of rice like curry traditionally is. But it wasn’t a big deal, nor was I going to flip the table over in anger because of it. The varying textures of the marinated mixed vegetables accompanying the light peppery kick of red curry made this a fairly decent curry, but not the best I had ever tasted.
Afterwards, I snuck a bite of my friend’s pad thai, and it was surprisingly delicious. I have had my fair share of pad thai, and this was one of the best I had tried to date. Its mellow flavour provided a good counteraction to the samosas we had eaten earlier. The crunchiness of the peanuts and sprouts balanced the rich, buttery consistency of the rice noodles, and was accented with a pungent kick of garlic and piquant hints of tamarind that danced along the roof of my mouth.
We skipped dessert due to the fact that there were no vegan options available, a big turn-off for a vegan who likes their sweet fix. It is beyond my comprehension why more restaurants don’t offer vegan dessert options because, despite popular misconceptions, vegan baking is relatively easy when you have the right ingredients and the ability to improvise a recipe.
Even though I didn’t get to indulge in sweet vegan confection, I would have to say that the main deterrent of the whole evening was the fact that, despite advertising otherwise on their website and business cards, Village of Thai had discontinued their student discount. Being a starving student, every dollar counts.
One of the main reasons we had decided to eat there anyway was because we were under the impression that we would be getting 10 percent off our bills. While the prices were fairly reasonable, when you add on additional costs like drinks and gratuities, the bill adds up quite quickly. The total was just over $50, accounting for about 10 percent of a student’s average monthly rent costs.
Putting it into that perspective, if we were told beforehand that the discount had been discontinued, we might have ordered differently.
One thing I do give Village of Thai credit for, though, is keeping with a traditional South Asian menu unlike the various restaurants who try to adopt numerous identities by fusing Asian and North American cuisines together. (No, I do not like going to a Japanese restaurant and seeing french fries on the menu.)

Despite some of the incidents, overall it was a pleasurable dining experience and I would consider going back someday, but only if they were to reintroduce their student discount.

ELMS Electrifies The Gallery in the Attic

November 18, 2013
On Friday night, after being bombarded with endless assignments, readings, and long lectures, I was invited to attend a concert at Gallery in the Attic (140 ½ Hunter Street). Being a musically-diverse person, I am always open to listening to just about any genre of music, especially when it involves local budding musicians.
However, being a worshipper specifically of hard rock and metal bands such as Pink Floyd, Billy Talent, Iron Maiden, and Pearl Jam, I was surprised to find out that there was an absence of bands of this genre in Peterborough. Nonetheless, I was more than open to attend the event.
It was my first time going to Gallery in the Attic, so I had no idea what to expect. Would it consist of a relaxed, tranquil, indie-loving environment? Or, rather, would it be a mosh pit-crushing, head-banging crowd (like I was used to, being a metalhead)?
Well, there turned out to be a happy medium between the two: a tranquil, musically-impassioned crowd. Surrounded by the elite, posh, art-appreciating members of Peterborough, I sat back and enjoyed the warm and cozy atmosphere that reflected Peterborough’s artistic identity.
Alex Unger, otherwise known to the world as ELMS, started this solo musical project as a departure from his previous work with Burnt Norton and The Dead Elm Society of Canada. He writes and records at the House of Wands, a small farmhouse in the Ontario countryside. Unger describes his music as “existing in a constant liminal state between the cold distance of electronic experimentation and the personal narrative of popular song,” a true insight into the philosophy of his musical identity. His performance at the Gallery in the Attic highlighted the release of his new EP, Divorce.
Unger’s musical style is what I would describe as a cross between new wave electro and pop. He used a soundboard equipped with hundreds of different sound effects, which he blended seamlessly into his works of musical genius. His fingers nimbly played with the knobs as he sang his heart out to the audience. His passion for music was clearly expressed just by the way in which he held the microphone to his mouth and gazed out into the eyes of the audience. His music was euphonic and sheerly exhilarating at moments. The brick and mortar walls acted as a insulator for the powerful bass which produced a deep pounding sensation in my body.  Although he managed to maintain constant intensity with every song, the highlight of the night was the performance of his hit song “I Gave Up (On You)” which sent blood rushing through my veins and chills down my spine.


It is safe to say that ELMS has truly refined the talent and technique of his previous work, and has made it more compelling. I encourage everyone to check out ELMS and to embrace the local talent of Peterborough. His tapes are available for purchase at Bluestreak Records, located at 444 George Street North.

Maximum Tolerated Dose: Testing Society’s Perception of Animal Testing

November 11, 2013

1,393,606 animals were subjected to animal testing in Canada alone. Despite the implementation of the Animal Welfare Act, this continues to be an issue in health and university research labs across Canada.
In order to bring awareness to this issue, The Animal Equity Society hosted a two-day event which included a screening of Karol Orzerchowski’s Maximum Tolerated Dose, as well as a lecture by Dr. Lauren Corman, Professor of Sociology (Critical Animal Studies) at Brock University. The screening was held at Artspace on October 28, followed by the lecture at Traill College the following night. Both events allowed members of the public to take part in a brief Q&A session regarding various issues surrounding animal rights.
Maximum Tolerated Dose is a documentary that follows the lives of those who have had first-hand encounters with animal testing and vivisection. The film is comprised of raw footage of undercover investigations, testimonies of former scientists and lab technicians, and stories about the animals who have experienced these ordeals. It places the world of animal experimentation under the microscope and also focuses on the narratives of the those who left the animal research industry after being faced with moral conflict of being exposed to the cruelty.
The manner in which the film is presented emphasizes the obliviousness and sadistic attitude of today’s society through ironic comedic relief of 1950s animal research footage. Maximum Tolerated Dose also calls attention to the emotional separation of the researcher and their animal “specimen,” and how their lives are then manipulated into nothing more than a mere statistic in a study.
The film tells the stories of Rachel Weiss, former research student, and Sarah Kito, an undercover animal rights officer who embedded herself in the world of animal testing. Weiss recollects her time spent with a chimp named Jerom who was infected with HIV, as well as another primate named Darla who lived 17 years of her life subjected to intense medical experimentation.
Also, Weisse remembers how her supervisors were becoming concerned about the fact that she had become “mentally disturbed” throughout her stay at the facility. She was provided with internal psychiatric help to avoid the possibility of her exposing the truth about the events transpiring inside animal testing facilities around the world. According to Orzerchowski, the goal of Maximum Tolerated Dose was to “re-ignite the debate about animal testing by bringing these industry secrets perspectives to the forefront.”
This film was powerful and heart-wrenching to say the least, and more terrifying than any horror I have ever watched. Unlike horror movies, this is based on real events that happen on a daily basis around the world.
For me, it was also particularity difficult to watch the section about canine testing due to the fact that I kept reminiscing about my own experience with rescuing animals, and imagining the horror these animals experience on a daily basis. I was faced with my own mental conflict in which I saw the world outside. Every minute that passed evoked even more painful and vivid thoughts about the experimentation industry.
Unlike many other animal testing documentaries, Maximum Tolerated Dose does not rely on graphic images of slain, mutilated animals to get its point across, but rather, expresses it through an artistic representation and factual narratives.
Nevertheless, it demonstrated how little society’s attitude has changed when it comes to the world of animal experimentation. In that sense, this makes Maximum Tolerated Dose one of the most influential and heart-rending animal rights documentaries ever made.
The screening was followed by a lecture entitled “Silence Fiction: Voice, Resistance, and Animal Politics” by Dr. Corman at Traill College the next night on October 29. As implied by its title, the lecture focused on feminist, anti-racist, and liberation-based movements in relation to the issue of animal advocacy, which was the basis behind her own work at Brock. It was also the basis for her active involvement as the co-host of the Toronto animal advocacy radio show, Animal Voices.
The lecture outlined her dissertation, The Ventriloquist’s Burden? Animals, Voice, and Politics, and was divided into four main chapters, “Voice and the Human Subject,” “Reading for Voice,” “Voice and Animality,” and “Animal Voices,” each which examined human voice and its relationship to subjectivities in animal equality and advocacy.
In the preface, she discussed the “Ventriloquist’s Burden” (Debra Horwitz’s claim about animal rights discourse), Donna Haraway’s post-humanist theory, and the concept of colonial discourse (the external world of our direct encounters with animals). In addition, Corman emphasized the fact that efforts to connect human and animal abuse is enhanced by our inability to provide a voice for animals without being contradictory, as we are fighting to provide them with their own voice. This is the “Voice of the Voiceless” statement, which Corman addressed by asking the audience, “How can we foreground animal voices within advocacy?”
The predominant message being conveyed here is that animals are living, breathing creatures who feel emotion, pain, and suffering just like humans. Just because they cannot communicate in a language that we understand, does not give us the right to place them below us. Despite the fact that 98.84 percent of human-borne illnesses are absent in animals, and the differences in human and animal anatomy result in false findings and even serious reactions, animal testing continues to exist today.
The Canadian Council on Animal Care implemented the “Three R Tenet” (which was first described by W. M. Russell and R. L. Burch in 1959 with their book, The Principles of Humane Experimental) as a guide for the ethical use of animal testing in scientific research. The first R is replacement: methods which avoid or replace the use of animals in an area where animals would otherwise have been used. The second is reduction: strategies which will result in fewer animals being used. And the third is refinement: the modification of experimental procedures to minimize pain and distress.

Although it is being used by some facilities in Canada, most still use inhumane methods, mainly due to lower costs and increased convenience. Some of these methods include dermal penetration, toxicokinetics (the rate of a chemical entering the body and what happens when it is there), and repeated dosage toxicity (or, in other words, “maximum tolerated dosage”).

Canadian Greenpeace Activists in Russia Still in Custody


November 4, 2013


A once contained issue has now brought the attention of thousands of people across the world putting more pressure on the Russian government about its harsh criminal penalties and corrupt justice system.
International tensions with Russia grow even stronger after their latest issue involving the arrest and prosecution of 30 Greenpeace International activists.
Now, the pressure is mounting on Russia as the fight to Free the Arctic 30 continues into its 40th day.
Back in September, 30 Greenpeace activists, including a free-lance photographer, videographer, and crew members, were arrested by the Russian government following a demonstration against the Arctic oil drilling project, Gazprom.
The Greenpeace ship, Arctic Sunrise, was illegally boarded by the Russian Coast Guard following two prior arrests made when two crew members had attempted to climb over the platform of the Prirazlomnoye oil field in the Pechora Sea.
Among those arrested are 36-year-old Alexandre Paul of Montreal, Quebec, and 48-year-old Paul Ruzycki of Port Colburne, Ontario.
Now, one may wonder the reason behind this huge debacle, and how it sparked so much outrage from the public. According to the Russian Coast Guard, a survival pod that was being used in the protest appeared to resemble a bomb, and as a result, they boarded the ship to neutralize the supposed threat.
According to Faiza Oulahensen, an activist aboard the ship when it was seized, violence was being used aboard the ship. The Coast Guard detained the activists with guns and knives, and fired several shots even though they were within their rights to be in the waters in the first place.
“They were hitting people, kicking people down, pushing people,” Oulahensen alleged.
Luckily, no one was injured or killed during the arrests. However, this appears to be a clear example of a “shoot now, ask questions later” mentality.
Oulahensen also wrote a letter to a journalist from de Volkskrant, a local newspaper in the Netherlands, accounting her experience in prison.
She is being “held in a dirty cell, alone, isolated from the rest,” she says, and is “only able to catch a glimpse of other Russian prisoners in the corridor.”
“Once in a while, a rat crawls across the floor. I’ve lost weight and am not sleeping too well, but I am still holding my head high,” Oulahensen accounted. She complained about having been denied the right to call home and not receiving most of the books and letters people were sending her. “I crave letters from my family, friends, and colleagues.”
Her description of Russia’s prison system is quite vivid, and she stated that her daily exercise consists of “walking around in a dark concrete space of about 5×5 meters, where you’re lucky if you can see the sky through the cracks in the rotten and leaky roof.”
In response to the arrests, Russian President Vladimir Putin stated, “I don’t know the details of what went on, but it’s completely obvious they aren’t pirates.” However, Putin backs up the Coast Guard’s defense, claiming that they had no way of knowing who they were.
He was referring to the attack on a shopping mall in Nairobi last month by the Al-Shabaab.
Bail hearings have already begun for the activists, but so far, reportedly all of their requests have been denied. The Arctic 30 are currently being detained in Murmansk, where they will be held until November.
As of now, only one member, Andrey Allakhverdov from Russia, was charged with hooliganism. The group was initially facing 15 years of terrorism and piracy charges, but as of October 24, the charges were formally dropped down to hooliganism, which in Russia, holds a seven-year sentence.
Although the charges have been lessened, there is arguably still a threat to their freedom of expression and demonstration.
The incident sparked media attention around the world, with articles being published in EcoWatch, CBC, and The Independent. Over 10,000 people have showed their support for the release of the Arctic 30 at more than 100 events hosted in 36 different countries, including Germany, Italy, Thailand, Mexico, and the Netherlands. In addition, more than 1.6 million people have signed the petition addressed to Russian embassies around the world calling for the release of these activists. Some have even gone as far as climbing the Eiffel Tower in protest, like Greenpeace activist Cyril Cormier did on Saturday.
However, what really grabbed the public’s attention was the fact that 11 Nobel Peace Prize laureates, including Desmond Tutu (South Africa), Betty Williams (Ireland), Oscar Arias Sanchez (Costa Rica), Jody Williams (USA), Adolpho Perez Esquivel (Argentina), Leymah Gbowee (Liberia), Tawakkol Karman (Yemen), Rigoberta Menchu Tum (Guatemala), Mairead Maguire (Ireland), Shirin Ebadi (Iran), and Jose Ramos Horta (East Timor) all wrote letters to Putin showing their support for the Arctic 30.
In Canada, various events have taken place in support of the release of the Arctic 30 as well, including in Toronto and Montreal on October 5. Greenpeace is also urging Canadians to join the #FreeTheArctic30 campaign by signing the Free Our Activists petition to the Russian Embassy, joining the Volunteer Arctic 30 Rapid Response Team, and spreading the word through social media and community events.
Among the tremendous support, though, there is some controversy among the general public over the issue, with a large number of people online arguing that the Arctic 30 should be charged. On the other hand, many legal experts around the world think otherwise. Here are a few statements from various members of the public:
“Piracy requires premeditated action of the attackers to take over others’ property for their own selfish interest. This means that the qualification of the actions of the environmentalists as piracy is inadequate both under Russian and international law.”
-Viktoria Zhdanova, head lawyer of the Inmarine law firm, Russia (back when the charges of piracy still stood)
“According to the Russian penal code, however, piracy presupposes a threat of violence, which the officials have since had the chance to clarify. I do not believe that either the vessel or the activists were found to carry instruments suitable for acts of violence.
“For this reason, the piracy charges have lost their basis, and the court should have rejected the demand to keep the activists in custody.”
-Martin Scheinin, Professor of International Law and Human Rights, European University Institute)
“Is Hooliganism linked to Canada’s ‘mischief’ law and the pending penalties for one’s mischievousness would or could equate to a seven year term in the slammer so to speak? Or that of the usual slap on the wrist with a conditional free pass to go home?”
-Anonymous
“One gets the impression that the Greenpeace crew is more committed to ‘adventure crusading’ than to actually changing our energy sources.
“Russia is the world’s number one oil exporter, but is ranked 148th for freedom of speech. So expecting an unobstructed right to protest on a Russian oil rig is simply unrealistic. If Greenpeace wanted provoke arrest, then they should demonstrate their respect for the rule of law by submitting to the punishment. Rather than seek acquittal or commutation, Greenpeace should embrace the harshest penalties and so provoke a larger global outcry.
“At best, Greenpeace’s civil disobedience only offers delay.”

-Anonymous

Food Forest gives a boost to Peterborough’s vegan community

September 30, 2013



Having been a vegan for nine years, I understand the challenges of finding quality vegan food that is not only healthy, but tasty as well! It has been even more difficult to find restaurants willing to cater to my dietary needs because, on top of my vegan restrictions, I’ve had to also change my diet to exclude gluten due to health problems. However, as I was exploring the city during my first week at Trent, I came upon a small, hidden gem on the north end of George Street called The Food Forest.
The Food Forest is run by owners Adam Deck and Katie Tuma, who have prided themselves in providing raw, delicious, gluten-free vegan dishes to the Peterborough community.
For those of you who are unaware of what raw food is, it consists of a variety of whole foods which are cooked under 105 degrees Celsius, so as not to denature the natural enzymes that exist within the food. This food revolution is slowly beginning to make its presence felt across the country, and Peterborough is straight in its path.

While the price of raw, vegan, and gluten-free food is on the rise, The Food Forest does an excellent job finding the financial balance between affordability and profit margin. As a starving student, I am very cautious with my expenses, but this is one place where I am more than willing to splurge on their delicious fare.

“Our goal is to represent the spectrum of veganism, [and] to cater to not only vegans, but transitional vegans and non-vegans, ” said Deck. “It serves as an outlet for local sustainability and awareness.”
The term “food forest” was inspired from the owners’ main common interest, permiculture.
“We wanted it to serve as a symbol for self-sustainment and as a guide for inner growth and awareness,” Deck explained.

“Katie and I have noticed that it’s hard to find vegan-friendly places here in Peterborough, let alone worrying about allergies and cross-contamination. The Food Forest is a place where you don’t have to worry about that. You actually see what goes into your food.”

I have eaten here twice so far and I was satisfied both times. The first time I ate here was with my mother, who had come down all the way from Curran, over four hours away. The second time around was on the following weekend, when my sister accompanied us.

When we walked in, we were greeted with arms wide open by co-owner, Tuma, who proceeded to seat us at a beautiful church pew-like bench. The first thing that caught my eye was how similar the restaurant’s menu and ambiance was to a number of my favourite vegan restaurants in Ottawa. It gave me a sense of commonality, a nice, familiar feeling of home.

For beverages, I had the Mango Orange Sorbet, a water-based smoothie containing mango and orange, sweetened with raw agave syrup. One of my other guests had the Minty Green Chocolate Chip smoothie, with homemade coconut milk, cacao nibs, and peppermint essence. All of these smoothies were made from home-grown produce provided by local farmers, as well as from their own garden. They also offer delicious fair trade organic coffees, teas and juices from local vendors.
When we asked what the daily special was, we were delighted to hear that it was sweet potato and lentils, topped with a maple molasses sauce and served with garlic coconut butter and gluten-free baguette. My eyes lit up at the thought of eating this dish, and, after a very brief discussion, we decided to share a plate.

The first bite provided me with a slight tingle of spice on the tip of my tongue, shortly followed by a hint of sweetness. The dish, which to me resembled a cross between a curry and a casserole, had the perfect balance of spice (from the chili) and sweetness (from the maple, molasses and sweet potato). The flavours were robust and rich throughout, and the heartiness and earthiness of the lentils provided a nice, fulfilling start to the meal.

For the main course, one of my guests had the toasted tomato sandwich with garlic coconut spread and Daiya cheese, whereas my other guest had the garden pesto sandwich with homemade vegan basil pesto and fresh greens.

I chose to go with the Living Taco (a personal favourite of Deck’s) with a homemade chili walnut ground and cashew sour “kream”. I am extremely fixated on their Living Taco because of its complexity and bold flavour. The balance between the spiciness of the walnut ground, acidity of the fresh lime juice and the sweetness of the sour “kream”, makes this the best vegan taco I had ever tasted. This is the perfect dish to satisfy any herbivore or carnivore alike.
Finally, to cleanse our palate, we indulged in gluten-free peanut butter cookies, banana muffins, and a rich date pie with coconut whipped cream and bananas. Their desserts proved themselves to be truly delicious, as my sister (who works at a vegan bakery in Ottawa), compared them to the quality of her bakery.

The Food Forest is also very proactive with animal rights and food education. An employee, Toby Rowland, runs a group called the Animal Equity Society, dedicated to the protection in ethics and welfare of animals. They have meetings and potlucks which allow members to discuss issues affecting Peterborough, and teach them how to become proactive in their communities.
Do not be fooled by the simplicity of the ingredients, as each menu item carries its own unique presence to the palate and develops a complex flavour profile in your mouth. Don’t take my word for it, though, and head down to The Food Forest to judge for yourself.

The Food Forest is located at 641 George Street North. More information can be found on foodforestcafe.com

Dancing for Awareness: Erasing the (Mental Health) Stigma

September 30, 2013



“Erasing the Stigma” is a multi-media dance performance that sheds light on the study of mental health and explores the various struggles of those affected by mental illness.

The event is the newest performance put on by Art for Awareness and will be happening October 4, 5, 8, and 9 at the Adam Scott Auditorium, in collaboration with the Peterborough Dance Collective, the Schizophrenic Society of Ontario, and the Canadian Mental Health Association.

“Art for Awareness is a newly-formed local group of talented and passionate people whose mission is to raise awareness of social issues through various arts performances,” explained Marsala Lukianchuk, the Director of Art for Awareness.

Rachel Bemrose, the co-founder of Art for Awareness and Dance Choreographer for “Erasing the Stigma,” elaborated in an interview on the group’s mission and their goal behind producing the performances.

What caused you to form this organization in the first place?

A group of local artists came together and wanted to use the arts as a vehicle for addressing social justice. Hence, [Art for Awareness], AFA, was formed. We decided that every year we would focus on a specific issue. This year, it was mental health. We chose the broadway musical, Next to Normal, as our first show which we performed in April and are following up with “Erasing the Stigma”.

Where did the arts aspect of your organization come in to play?

It really was what brought us all together. We had worked on community shows in different capacities, like as actors, singers, dancers, musicians, directors, choreographers, tech crew, stage crew, and costumes. We just felt that using our talents for the greater good of society was a fulfilling idea.

What is the story behind “Erasing the Stigma”?

“Erasing the Stigma” is an original piece that I developed in collaboration with many artists, dancers, and especially my film editor, Andrew Root. As a teacher, I had encountered a large number of people affected by mental illness in the past ten years, and I felt that many of those people were afraid to get the help they needed because of the stigma that is often associated with it. The show is intended to tell the stories of the brave people who came forward to be interviewed.

I hope this helps others understand that they are not alone and that there are places and people who can help. One of our interviewees was actually an audience member from Next to Normal who came to speak with us afterwards about the profound impact the show had on her. The stories are captured on video as well as in music and dance. We are also showcasing it during Mental Health Awareness week to bring a voice to this issue.

What is your hope for the future of mental health awareness?


My hope is that it becomes more normalized so that people aren’t embarrassed or afraid to get help. Someone with pneumonia isn’t going to refuse antibiotics, whereas someone with a mental illness is embarrassed to even admit they need help. I also hope that people will start to realize the importance of staying mentally healthy themselves. Finally, I hope that it may help at least one person who comes to see the show.

Is there anything else you would like to add about Art for Awareness, “Erasing the Stigma”, or mental health in general?

As a new group, it’s always tough to expand your audience base. I really hope that we get some students out on October 4, 5, 8, and 9 to see the show. The CMHA [Canadian Mental Health Association], Schizophrenia Society, and LYNX will all have representation at the show to help people if anyone has questions. It’s a great opportunity for art and education to come together.



Tickets for the show can be purchased at Black Honey (217 Hunter St W.), or at the door on the day of the event for $10. Shows start at 8 p.m. and are perfomed at the Adam Scott auditorium. One-third of the proceeds raised from this event will go towards the LYNX: Early Psychosis Intervention Program, a program focused on identifying, diagnosing and treating early stage psychosis in youth